Обучение, ателиета и интензиви

20140902_110622Зорница преподава Импровизация, Композиция както за сцена така и за филм, като е водила класове както в САЩ, така и България, Унгария и Франция. Предлага знания натрупани от 18 годишната си практика като хореограф, танцьор и продуцент, като често цитира учителите си Дебора Хей, Мег Стюарт и други.

All her classes are focused toward performance technique engulfing presence and an intimate understanding of the performance space and the self.

За повече информация и ангажименти за класове пишете на Зорница на емайл - zornitsa(at)bodymeld.org

За предстоящи ателиета и класове моля кликнете на "събития" или ни последвайте във Фейсбук.

Sample Class Descriptions:

Performer Maker Self (3 or one day options) – This workshop touches on the basic modalities of improvisation—exploring space, time, solos and pairings, moving from impulse vs. moving from memory or imagination.
We will approach these techniques with new eyes and break down step by step the ways we create and shape the space. This is a technique in letting our composition mind move in parallel to our improvisation mind – tracking sensation, the self and the group into creating performance.
This workshop is catered towards dancers new to improvisation or seasoned improvisers, who would like to check in and learn a different style of improvisation.

Day 1 – 4pm – 7pm We will discuss space and how to compose it. Using the different ways we can see and perceive, we will do group scores in composing the space. We will borrow techniques from Simone Forti.

Day 2 – 9am – 12noon and 1 – 4pmFirst session we will focus on creating ensemble scores into duets using exercises based on Emergent Improvisation. Second session we will explore different ways of approaching duets using techniques proposed by Meg Stuart. We will ask the question of what is emergent, how to move seamlessly between the roles of leader, responder of framer. We will spend a lot of time on the role of the framer, delving deeper into the meaning of shaping and composing the space and the events during improvisation.

Day 3 –  9am – 12noon and 1 – 4pmBoth sessions we will work in performing solos and particularly on performing presence and Deborah Hay’s approach of Ready Fire Aim. We will interrogate the self and our ability to bring different states, feelings and presences on the surface during performance. We will finish with Performing Solo Improvisation without a score.  If you are interested in this work, highly recommend you come for the full day or just the first session as it would be confusing to join at the end.

Dancing for the camera/Understanding the Digital Frame is a workshop specifically for dance makers interested in producing screendance. In the day long workshop we will learn the major difference between dancing live, vs. dancing inside the digital frame. Zornitsa will share tips and tricks on making the best looking videos using your phone camera. We will learn how space and perspective change on the digital canvas and shoot movement both with stationary and moving camera.
In the afternoon we will focus on the scouting physical space for shooting, lighting and story-boarding.
If time allows we will experiment with animations, in camera editing as well as post production editing. This workshop is geared toward helping dancers and choreographers to present themselves in the best light possible without having to purchase expensive equipment. Composing for the digital frame is part of this workshop and could be expended to fit a whole day.