публикувано на 23.07.21 за БНР Интервю на Славена Илиева, която разказва за Зорница Стоянова и танцовата работилница. Оригиналната публикация и цялото интервю може да чуете тук. Зорница Стоянова е хореограф, режисьор, танцов критик, видео и светлинен дизайнер. През 2006 г. завършва Bennington College със специалност хореография и звуков дизайн. След това […]
Zornitsa Stoyanova and BodyMeld in the press
38 posts
публикувано на 23.07.21 в 12:55 Автор: Ангелина Грозева за БНР Оригинално публикуване тук Какви са най-новите тенденции в съвременния танц и пърформанс, какво представлява проекта за „бруталната истина“ или концепцията за спонтанното говорене в танца, как звучи поетиката на тялото и как се овладява властта между публиката и танцьора. Отговорите на всички […]
February 3, 2020 by Winfield Maben for the Dance Journal Originally published for the Dance Journal here. On Friday, January 31st Zornitsa Stoyanova showcased AndroMeda as a part of the Philadelphia Museum of Art’s second quarterly Friday Remix series. The work took place in the museum’s Great Stair Hall and was performed […]
August 12, 2021 by Isabella Mojares for the Dance Journal originally published at the Dance Journal Megan Bridge and Zornitsa Stoyanova’s Altered States: A Performance Conversation “Presence feels like opening my attention up to as much as possible” Earlier this month, Megan Bridge (Fidget) and Zornitsa Stoyanova (BodyMeld) hosted the […]
by Emilee Lord originally written and published on thinkingdance.net Original article you can find here. January and February, synonymous with freezing temperatures and short days, are months that require resolve. While I would normally have spent as much of that time as possible under a blanket with a book, I […]
by Miryam Coppersmith originally published at thinkindance.net Original article you can see here. Zornitsa Stoyanova started Get What You Need (GWYN) in 2015 as an open-mic style community dance workshop. In 2019, Stoyanova launched a new dance platform, BodyMeld, reimagining GWYN as a seven month-long residency supporting two local artists, Mira Treatman and Janna Meiring. […]
by Kat J. Sullivan for thinkingdance.net Originally published here. Note: The format of this review mirrors text that was written and recited in the performance. Lines below in quotation marks are taken directly from BodyMeld’s text. A copy of the original is available on their website. My body sits here Cold […]
Written by Zornitsa Stoyanova and performed by automatic generated voice by Kindle. *Note that punctuation format is choreographed based on the way the automatic voice recognizes pauses and inflections.
At the 2019 edition of Etud and Friends, Stoyanova presented her work Un-seen, which examines how context transforms the “shiny materials” of Western economy, where immigration and dehumanization are tightly enmeshed. In this interview, the artist speaks about the significance of festivals like Etud and Friends, her own artistic vision, and her exploration of performance from an immigrant’s perspective.
Originally published on thinINKgDance.net on September 19th, 2019.
As I walk up to the newly rehabbed LOVE Park, I am greeted by nostalgia—the selfie sticks and posing tourists remind me of the time I first moved to Philadelphia. When did I forget to see my home city with the excitement of a tourist?
written by Zornitsa Stoyanova and performed by automatic voice generator (which is also the reason for the formatting) Out there above us, a beacon of peace watches. The international space station circles the earth, an image of humanity’s achievement. Astronauts from around the world meeting, working, eating, sleeping, shitting, waking […]
BY ZORNITSA STOYANOVA | Feb. 12, 2018 | Written and published for thINKingDANCE.net A pair of dancers (Margot Electra Steinberg and Mary-Carmen Webb), anonymous and unmoving with foreheads on the wall and one hip relaxed, are positioned in the far-left corner. Across from them a black clad body (Celine McBride) […]